Baltimore Grassroots Media

To save videos from websites such as YouTube and Google to your hard drive:

1. From a site such as YouTube.com, go to the video you want to save.

2. Copy the URL from that web page (for example: http://www.youtube.com/watch?v=-zFI35TVXao)

3. Go to http://keepvid.com

4. Paste the URL you copied in step 2 into the text box at the top of http://keepvid.com and click the Submit button.

5. Click on ›› Download Link ‹‹ when it appears below the text box. A file named something like get_video-1 will be copied to your computer.

6. Using Finder, rename the file so that it has the extension .flv (for example: get_video-1.flv) to indicate that this is a Flash Video file.

7. If you don't already have it, download a program called iSquint to your computer by going to http://www.isquint.org and clicking Download iSquint

8. Run iSquint and drag the get_video-1.flv (or whatever it's called) file from Finder into the central area in iSquint.

9. Click the Start button in the lower right corner of iSquint. If you keep the default settings, an MPEG-4 file will be created called get_video-1.mp4 (for example) that can be viewed in QuickTime or placed on the timeline of a video editing program such as Final Cut Pro.

One of the most important aspects of video is actually audio quality. The sound you record with the onboard mic of a video camera is not even close to the quality people are used to hearing on television and at the movies. To get much closer to this without spending a fortune get the Rode VideoMic for about $150 and attach it to the accessory shoe on top of your camera. If you know of a better low budget shotgun microphone, let us know.

The tripod you use can be even more important for getting quality video than the camera you use. The Bogen/Manfrotto 3001N (chrome) or 3001BN (black) tripod legs with a 3126 Micro Fluid Head is probably the least expensive tripod that can track motion smoothly to get good quality video without the jerkiness associated with nearly all cheaper tripods. The true "fluid head" means there is an oily substance inside and is the most important feature. This tripod sells for about $160, weighs 6.1 lbs., has a folded length of 25.2" and has a height range of 11" to 61.4". It also screws directly into the bottom of your video camera so it doesn't need a release plate. This is good because with a release plate, even though the camera slides on, it usually needs to be secured by tightening a screw anyway, so it can take almost as long to mount or remove your camera as it does to just screw or unscrew it, and if you lose the release plate, the tripod is useless until you buy another release plate. If your video camera loads tapes from the bottom, it is an even greater advantage to not have a release plate, because you would have to remove the release plate just to change tapes. If you know of a better low budget tripod, let us know.

The JVC GR-DF430 sells for about $300, records to MiniDV tapes, is very compact, has good low light capability, a microphone input, audio level display, analog input (analog to digital conversion), a built-in light for shooting in the dark, S-Video input and output, top-loading of tapes (with bottom-loaders if you are using a tripod you have to unmount the camera to change tapes), a mode for stop motion animation and an accessory shoe for mounting an external microphone or other device (although, due to the location of the shoe, accessories with large diameter tightening wheels may not fit). The GR-DF430 came out in Spring of 2005, so it may be increasingly hard to find in the future. The JVC GR-DF450 and GR-DF550 are only about $50 more, look basically the same and have the same features plus the ability to record still photos to a memory stick. The GR-DF550 also has a larger imaging chip (1/4.5-inch CCD with 690,000 effective pixels for video and 1.23 megapixels for stills vs. the 1/6-inch CCD with 680,000 pixels on the DF430 and DF450) which may give a slightly better image. BGM was not compensated in any way for the favorable mention of these products.

On the downside, these video cameras do have some trouble with the auto focus drifting in low light situations. This can be dealt with by zooming in or reframing the subject or by using the manual focus feature.

One other note of caution: there have been some problems with JVC camera's CCDs failing and giving a "lens cap" error when the lens cap is already removed, and this model has also had this problem. We are checking with JVC to learn more about this. But from experience, when these cameras work, they work well. If you know of a better low budget video camera, let us know.

Update: We had a JVC GR-DF430 which developed the lens cap error about after about 6 months of use. The warrantee on these is 3 months for parts and labor and 12 months for parts only, so we called JVC (800-858-6442) to complain. They responded by emailing a "Letter of Accommodation" which extended the warranty and covered both parts and labor to fix the lens cap error problem. A local JVC authorized service center agreed to honor this letter, which allowed them to bill JVC for the repair, and fix the camera at no cost to us.

Update 3/8/07: The discontinued JVC GR-DF430, 450 and 550 are difficult to find, and where they previously could be found for around $300, when they are available, they are now selling for too much. The next best choice for an inexpensive MiniDV camera with a mic input, good low light performance and other desirable features is probably the Canon Elura 100, Camcorderinfo.com's 2006 Camcorder of the Year, which can still be found in the $300-$400 range. But this camera has also been discontinued and will be increasingly hard to buy.

Update 2/2/08: The best low cost video camera that yields near professional results, records to tape (still the best low end format for video quality and storage) and has the features highlighted above is now actually a high definition camcorder (that also shoots in standard DV), the Canon HV20. It is selling for under $700 and may drop lower as its replacement model the Canon Vixia HV30 becomes available this month.

Here are a few tips for important settings for your miniDV video camera:

Set the date and time
It's usually good to know exactly when your video was recorded, so set the time and date before you start using the camera. With miniDV tapes you can always decide later if you want the date and time to show or not. Time and date are stored separately from the image data, not burned into the image like earlier video formats.

Use SP recording mode, not LP
SP is the standard recording mode for miniDV tapes and gives about 62 minutes on a standard tape (80 minute tapes are also available, but they are more expensive and the tape is thiner so may be more likely to break). The LP mode will record 90 minutes to a standard tape, but is less reliable and you may have problems capturing your footage in your computer editing program. If what you are videotaping is important, it's probably not worth the risk.

Change the audio from 12-bit to 16-bit
To get the full audio quality of your video camera you must be in 16-bit mode. Many cameras come set in 12-bit mode by default. This mode sacrifices audio quality for an extra stereo audio track to add in-camera voiceovers or narrations to your videos, but adding additional audio tracks is better done later with video editing software.

Turn off the digital zoom
Video cameras typically offer optical zooms from 10x to 30x and digital zooms of up to 1000x, but using a digital zoom degrades the quality of the image, and probably does not do anything you couldn't do later with image processing software. Set your camera to just use the optical zoom range.

Learn how to do a manual white balance
Manual white balance (MWB) is important for making sure the colors in the images you record are accurate. Often with the automatic white balance the image will appear reddish or blueish due to misadjusting for the color temperature of different light sources (sunlight, fluorescent, incandescent, halogen, etc.). To avoid this, most video cameras have a manual white balance feature. Once you have located the manual white balance feature of your camera, setting it usually involves pointing the camera at something you know to be true white (a sheet of white paper is often used), zooming or moving in so it fills the whole screen and holding down a button or joystick until the color is readjusted. It is good to get into the habit of doing this before you start shooting and whenever the light changes.

If using a tripod, turn the image stabilization off
Image stabilization (often abbreviated EIS for electronic image stabilization or OIS for optical image stabilization) can help steady the image when the camera is handheld, but the EIS type, usually found on lower end cameras, also slightly degrades the resolution of the image, and if you leave it engaged while you are using a tripod it can actually make the image much less stable. It can mistake the movement of the subject as unwanted camera movement and try to steady the subject by moving the stationary background. Remember to turn image stabilization off when using a tripod.

Turn audio level display on
If you use an external microphone with your video camera to get better sound quality (a good idea), you put yourself at greater risk of not capturing any sound at all. Some cameras allow you to see the audio levels on the fold out screen or viewfinder. It is important to set this feature on to make sure you are getting audio, especially if you are not using headphones to monitor the audio.

If you need to use S-VHS tapes but are on a low budget you can modify a much cheaper VHS tape of HQ (high quality) or better to act like an S-VHS tape by making a hole in the underside of the tape case. To make sure you get the size and location of the hole right, use an actual S-VHS tape as a guide. To create the hole, thin out a square patch in the hole location by gently shaving plastic away with a small, sharp flathead screwdriver. Then, while holding the tape case hole-side-down so the plastic shavings fall down instead of ending up inside the tape case, stick a corner of the screwdriver blade in the center of the hole area and gently twist it back and forth, using it like a drill bit, until the hole forms. If the hole is not as wide as the hole on the S-VHS tape, gently carve it out to the correct size with the screwdriver blade.